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Hypothesis

Bring art to the Stock Exchange. hypothesis

If X amount is worth Y Derivative 17 years after death, and now is 17 years after the 1st in C, then Options for the 1st depreciation is the long term Appreciated Value in all Business Investment Objectives.


Book 1 @ $1.  Listing market price = 300 shareholders.


business - hypothesis - exchange.

In Sister

Book 1 - Book 19

Bringing Art to the Exchange: The Quadrilateral

This is the time for new long term business investment strategies.  But first, I'd like to reference a true story in art history.  


His name was Van Gogh.  He sold a painting for a bottle of water.  Yet, that was his career.  In fact, he was so passionate about his career, that he cut his own ear off in frustration.  Now, after his death (which is of no use to him), his paintings are sold for X amount of millions of dollars.  True story.


Where does that value accumulate and who is getting that income that he could have used to live well?  Now, let's talk about the hypothesis to the economy.  


Inflation – Good and Valuable Tender.  The highlights are in front of our eyes.  Which is, under Copyright, the entire Network and its Theory, that brings my Work up close and personal as I set things onto the table.  See, on the back of that dollar, is everything leading up to its worth - which is in money = $.99 + (1 lucky penny) to make sense. 


Inflation – Since 2008 (average): [2016:(240) low (-$24); 2020: (256.40) low (-$40.4)] / average costs to the Network.  You have increases without profitability to the consumer, which meets at a very coincidental time standard within my lifetime's - Work's - timeline (Neographics).  


Economy – Plagiarism to Equitable Profitability. From in-home to network buyers, are the Corporate Bystanders that make a Market only as good as its consumer.  The timeline to this Market for profitability is in the decrease at Margin at a subsequent 16.6% increase to industry; and is found at the number of shares to the Market's exchange, according to income, as it acts as a derivative to its placement as a shared Fair Market Value.  This is protected by law, under the United States Copyright Act of 1976, Section 107, #4.  


For more information, make sure to sign up, request a consultation, or acquire a bond.

Acquire A bond

 

Your research support devours our communities by the capacities of network integrations.  The efforts made now become replicable in the long term as equity to your investment. 


How it  works:  pick an Artwork - pay any sum - acquire a bond.

Paga con PayPal o carta di debito/credito

oF the 7: Inter-Exchange Rate

"Wrath" (rH  [value to Q] conjunction  U).  Full circumference  C, [refinement]?(book

Subject 7 =  Wrath. (rH  [value to Q] conjunction  U).  Full circumference  C, [refinement]?(book 


 axis  [:diameter(3 (1.5)_net  costs )g4: turnover(1.73)  + - .01% equity*) ]  = given exchange.

 

Subject 5 = Gluttony

Any  surviving  axis  [:diameter(3 (1.5)_net  costs )g4: turnover(1.73)  + - .01% equity*) ]  = given exchange.


Gluttony  to  date  = “If  Area  1  squares 6. Subject  6. Your  point  of  arc $5,342,586.86.


proportion (left eye ן [Tongue)  = Sloth.  [4.25  in foreign exchange  policy].

Subject  4. In basis  to  proportion (left eye ן [Tongue)  = Sloth.  [4.25  in foreign exchange  policy].

InVEST IN ORIGINAL ART

Thorough dynamics of a Bond

Thorough dynamics of a Bond

Thorough dynamics of a Bond

(rH  [value to Q] conjunction  U).  Full circumference  C, [refinement]?(book

 

In instrument, the time uses the deficit to portray the amount of interest at each interval. 

Meaning you can pull back and let it grow or integrate your shares into more collateral based prices. These prices include but are not limited to the deficit by standing ratios, the integrations upon the return price’s collateral. Each piece holds a time share. By buying out the other’s network, the by-standing operation is the Collection amount per basis development to increase. It’s network’s integration. Making each Piece a whole cost to production to be included in the collateral’s work price (shares:[in Sister]). 


Existing Weight

Thorough dynamics of a Bond

Thorough dynamics of a Bond

Proof of distribution; net distribution to Stocks in Art in copyright Stefany Fisher

Our Company Trademark is integrated into the Project Analysis by form E of subsequent commercial industry.  

Subametrixs

Thorough dynamics of a Bond

Subametrixs

Art network integrations to deficit (economy): stocks in Art

Financially fit to generative income, Project Analysis on wasteful energy is the derivative to financial stability under the Arts; commercial retail can adjust these industrial derivatives at 3/4ths the cost simply by investment.  Partial inventory distributes personal preferences to your door. 

Ionic Deals

Need to Know

Subametrixs

Resource C: economic distribution to Reality: subject basis Art

 

Shareholding is ¾ it’s whole construction. Which is then 40% a whole commercial construction under 60% in gallery production. 


 The time shared is the equity’s base weight to principle. What is left over is equal to the collateral that entails fruition. Once fruition is added to (the accumulated value) the even exchange then becomes time’s degree - the point to which maximum volume dissolves as proportion to the total net weight. Times degree to production. 

Need to Know

Need to Know

Need to Know

Equilateral Provision to the economy in Art; subject basis E of bonds + timing

After a project increases, it then decreases into sales revenue that allows more room for Company expansion. To Equilateral Provision: 


In equity, the time share splits as the Provisional basis upon return in every deficit before equal to 1; or ¼ its assets, where turn around can be left over weight to increase productivity:


1.  The instrument used will then be the  
dissolvent to any equal working rhythm, or sales proportion.  


2.  To use the instrument, it must agree with the Parcel - in equity basis upon control.  Meaning only time will give the correct percentage rates to equalize in duty based distribution; which are already the assets to collateral.  

How it Pays

Need to Know

Need to Know

Equilateral Provision under the Quadrilateral: Network Basis E of bonds; (art + timing).

 

At $4000 the context in the agreement commences as the commercial of 1. To what 10% was left behind and paid for in the state of Maryland under the primary market. 


A. Collateral B.

C.

D.

E.

F.

G... your direct dividend.

(a university's market value).


CuRRENTLY ON THE MARKET

    About

    network integrations primary/secondary Art

    2017-2019 Annual Interest Report

     Conjunctive Pieces. Are set fixed rates (ex: [Dancer]) at set integral costs of production. Meaning that 40% is going into someone’s pocket and the turn around will then be delivered to the bank for re-bond. Which has a time limit. In duty free proportions of sales. The costs per interval is then refunded at set rates to incorporate the time to time management degrees upon interval, which is your set rate to ratio. The interval proceeds with or without conjunction but is set as 1 while the selling price turns to interval (the inter-exchange).  To the instrument then itself is the network basis through collateral that holds the congruency to hold fixed rates as equal proportion. The timed degree is the interval’s network’s “run for the money.”  Meaning in any interval the apparent time standing is the amount of fruition Cause to affect the interval. Which only goes up. 



    Auctions Gallery: Currently On the Market
    considerable amounts of psychology
art deficits to growth 
stock exchanges

    2019 Project Analysis

    Euro 1,65 (99-100) 

    Leva 1,15 (fishes; [Amstradamne] -type basics) 1-4 in5 

    Shekel 1.10 (Angels -net charge)

    Cents 4 (rt4)  and no return on it.

    distribution of art assets 
network integrations Art 
art value + net distributions

    2017-19 Network Ranges (NTI)

    Year ending 2019, basic consumer report; evolves the movement of each basis collateral is the sales in distribution to net weight volume per interval (conjunction). In Conjunction, with another is then the deficit, where withholding markets can either integrate or return the art to the given buyer/seller depending on the integration per each movement that maximizes in liquidations (16.09%). Meaning the return on the deficit is going to be higher than the initial conjunctive costs. The network (withstanding) hold the art’s value; is then ready for sales per interval to even distribution of duty. A whole network of evolvement. 

    #

    Get Us listed

    #

    $1

    #

    New Economy

    Scientist of the Arts: Stefany Fisher

    I was 15 years old walking the streets of Wall Street waiting for my big brother to get out of work. He and his fellow colleagues would come drawn out in business suits and luxury coats. Me, I just kind of followed along. 


    I’d hear them talk about money and trade, and  about investments.  Very well.   I grew up and acquired my bachelor's degree in the science of the arts.  I sold paintings to get through college.  Then things got serious.  


    Nuclear power. I learned a lot about it some years later. When trying to distinguish between the truth and identity. There was a lot to learn to know where that came from.  My eyes. 


    I couldn’t believe what I saw deriving behind them when driving from New York and after my own bonds; my daughter. 


    We call this feasibility. 

    Theory E0

    CREDENTIALS

    Awards

    History 2002-

    History 2002-

     

    Awards

    2010 Stanford Black Book

    2011 Life Drawing AI~U

    2011 Editors Choice :poetry 1

    2011 Stars in our Hearts (poetry 

    2012 Dean’s List Alumni

    2013-2014 National Art Exhibition Award

    2014 Editor’s Choice :poetry 2

    2015 Delaware State Award Art Program

    2016 Project Analysis

    History 2002-

    History 2002-

    History 2002-

     

    “Delaware. New York City, New York. 2002-5.

    “Figures. Secaucus New Jersey, (2002-3); Selbville, DE 2013-15, (1).

    “The Wolf. New York City, New York. 2003.

    “New York City in a dream. Sweet King Cafe.  Rome, Italy. 2003-2017.

    “Figurative. Unknown collection.  New Orleans, LA. 2003.

    “Grapes. Watercolor. Unknown collection.  New Orleans, LA. 2003.

    “For the Sake of Peace. State of Delaware, USA. 2003.

    “Colors of the Wood. State of Delaware, Private Art Collection. 2003.
    “Chain of Colors. Unknown Private Collection. 2003.

    “Black and White. State of Delaware. 2003-5. Restored (16).

    “State of Being. Victorian Collection, Selbyville DE. 2003-2017.

    “Fertility. Victorian Collection, Selbyville DE. 2003-2017, (18).

    “The Whale. Lazy Whale, BG. Ocean City Maryland. 2004.

    “Pushish Kato Cumin. Lazy Whale, BG. Ocean City Maryland. 2004.

    “Figurative II.  Lazy Whale, BG. Ocean City Maryland. 2004.

    “Untitled. Jamaica Queens, Lescene Collection. New York. 2004.

    “The lavender. UD, Behrens Collection. Unknown. 2004.

    “Her hair. Biscayne Blvd, Miami, Fl. 2005-6, (07).
    “Reflection. Miami, Fl, 2005.

    “Reflection II. Miami, Fl, 2005.

    “Dreams. Miami, Fl. 2005.

    “09. Miami. Private Collection. 2006.

    “Dancer (drawing). Hassel Collection, Los Angeles, CA. 2007.

    “Ricky&Judy.” 2007 Miami, Fl. Diez Private Collection.

    “Cardinal. Frankford Collection, Delaware. USA, 2008.

    “The peace. Frankford Collection. Delaware. USA. 2008.

    “Swimmers.  Frankford, DE.  Private Collection. 2008.

    “Swimmers2.  Frankford, DE.  Private Collection. 2008.

    “Afloat. Death to Venus. Unknown Collection. 2008-17.

    Wings. Private Collector. Frankford DE. 2008.

    “The water. Perez Private Collection. Georgetown DE. 2008-10.

    “Surfboards.  Unknown Collection. Ocean City Maryland. 2008-9.

    Surfboards1.  Perez Private Collection.Georgetown, DE. 2008-9.

    Surfboards2. Perez Private Collection. Georgetown DE. 2008-9.


     

    “Taurus. Unknown Private Collection. Albania. 2017.

    “Roots. London, England. 2017.

    “Death of Venus. 2017. Erwin Silbernagl Private Colllection. Italy.

    “Winner v Loser. Wrathway Private Collection, United Kingdom. 2008-2017.

    “Death. 2008-18. Erwin Silbernagl Private Collection. Italy.

    “-L. 2009-18. Erwin Silbernagl Private Collection. Italy.


    History 2009-

    History 2002-

    History 2009-

     

    Seascape. Bought Selbyville, DE. Unknown Collection. 2009.
    “Seascape 1. Bought Selbyville, DE. Unknown Collection. 2009.
    “Seascape 2. Bought Selbyville, DE. Unknown Collection. 2009.
    “Seascape 3. Bought Selbyville, DE. Unknown Collection. 2009.
    “Seascape 4. Bought Selbyville, DE. Unknown Collection. 2009.

    “Seascape 5. Bought Selbyville, DE. Unknown Collection. 2009.

    “Seascape 6. Bought Selbyville, DE. Unknown Collection. 2009.

    “Freebird. Unknown Private Collector. USA. 2009.

    “Mermaid. Bought Selbyville, DE. Diane Collection. 2009.

    “The Lions Head. Private Collection. 2009-17. Florida.

    “Van Goh. Private Collection. Miami Fl. 2009.

    “Dance. Bergstrum Studio Collection. Ocean View, De. 2009.

    “Waterfalls. Desiderio Private Collection. Colorado. USA. 2010.

    “Where she lives. Private Collector. Frankford. USA. 2010.

    “Horses. Miami Private Collection. 2011. Miami.
    “Trees. Miami Private Collection. 2011. Miami.
    “Battered. Miami Private Collection. 2011. Miami.
    “Hurricane Sandy. Miami Private Collection. 2011. Miami.
    “Miami. Miami Private Collection. 2011. Miami.
    “Sands. Miami Private Collection. 2011. Miami.

    “Vina Del Mar, Selbyville, DE. Private Collection; (Sesto Calende, Italy). Vienna Austria. 2011-19.
    “Girl by the Sea.  Miami Private Collection. 2011. Miami.
    The good neighbor. 12411. Hope Collection, unknown. (3). 2011-13.

    “”Plourde Home” 2011. Plourde Private Collection. Connecticut. USA.

    “Art Stroll, Berlin. Exhibition, Private Collection. 2012.

    “Art Stroll, Berlin1. Exhibition, Private Collection MD. 2012.

    “Roots. Solofra, Italy. Private Collection. 2012 (18).

    Form, Cafe Collection. Commercial p. Selbville Delaware. 2013.

    Form II, Cafe Collection. Commercial p. Selbville Delaware. 2013.

    “Dancer. Illilten, Algeria. Kabyle Collection. 2013. (16).

    “Rainbow Wave. Precious Collection. Unknown. 2013.

    “Bethany Beach.  Precious Collection.  Unknown. 2013.

    ”The Barn. Bethany Beach, Private Collection. 2013.

    “The umbrella.  Fenwick Island. Ostenstein. Collection (8). 2013.

    ”Fairytales. Fenwick Island. Ostenstein. Collection (8). 2013.

    “Tink. Private Collection. Selbyville DE, USA. 2013-15.

    “The Rouge. Private Collection. Selbyville DE, USA. 2013-15.

    “Hope, 2015. Oc Electric, OC. Maryland. USA.

    “Girls (Copy), 2013. Pavon Private Collection Delaware, USA.

    “Costa del Sol.” 2013, Ryan Private Collection. North Carolina, USA.

    “Cafe de L’Olympia.” 2013. Ryan Private Collection.North Carolina, USA.

    “Dolphins. Founded Taylor Collection. East Liverpool, Ohio. 2013.
    “Angels, (Sesto Calende), Italy; Saint Ann’s Catholic Church (2014-16).  Private Collection, Philadelphia PA. 2018.

    History 2014-

    Property Collateral in Bonds

    History 2009-

     

    “Mermaids for Caroline. The Cafe. Salisbury, Maryland, USA. 2014.

    “Tea cups. The Cafe. Salisbury, Maryland, USA. 2014.

    “Zozopol.” Bulgaria. Unknown Collection. 2008-(15).

    “The Sea. Warner Private Collection. Tennessee. USA. (2009)-2015.

    Spoiled Brat.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Route 50.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Lost Souls.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Alrighty Then.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Mad Scientist.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Kraken.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Nucking Futs.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Dragons Moon. Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Joshua’s Red.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Stare Back.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Gold Digger.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Ocean City Brewing Company.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    “Lucifer.” , 2015, Abingdon, MD, USA.

    Orioles.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Orioles1.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Orioles2.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Orioles3.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Ravens1.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Ravens2.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Ravens3.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Eagles1.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Eagles2.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Redskins1.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Redskins2.  Ocean City Brewing Company Collection, 2015, Abingdon, MD, USA.

    Brewing company, Mural, 2014. Ocean City Brewing Company. Oc, Md. 2015.

     

    Angels. Wynwood, Miami Fl. 2015-16.

    “The Waterfalls II. Perez Collection. Georgetown, DE. (2010)-2016.

    “The dog, Private Collection. Rehoboth Beach, DE. 2016.

    “The Pianist. Private Collection. Bethany Beach, DE. 2016.

    “H= L2(о)^’I. Hope Collection. Brooklyn, New York. Stefany Fisher. 2016.
    “Worm. Hope Collection. Brooklyn, New York. Stefany Fisher. 2016.

    “Co2 Potential. Steiner Gallery.  Vienna, Austria. 2016.

    “How can a Man Stand it. Steiner Gallery.  Vienna, Austria. 2016.

    “Vanity. Steiner Gallery.  Vienna, Austria. 2016.

    “Dancer. Steiner Gallery.  Vienna, Austria. 2016.

    “Capricorn. Steiner Gallery.  Vienna, Austria. 2016.

    “Andrea. Steiner Gallery.  Vienna, Austria. 2016.

    “Andrea ll. Steiner Gallery.  Vienna, Austria. 2016.

    “Pan. Steiner Gallery.  Vienna, Austria. 2016.
    “At its Highest. Steiner Gallery.  Vienna, Austria. 2016.

    “Donna. Mad Gallery. Milano, Italy. 2016.

    Eagles. Carlton Private Collection. Milford. 2016.

    Eagles. Savekis Private Collection. Seaford. 2016.

    “Medusa. Mural. North Bay Village, Miami. Private Collection. 2106

    ““Heron on the Ocean.  Mural. Ocean City, MD.  Private Collection. 2016.

    “Horses.  Mural. Georgetown, DE.  Private Collection. 2016.

    “Memorial.  Mural. Georgetown, DE.  Private Collection. 2016.

    “Panamanian Idealism.  Mural. Georgetown, DE.  Private Collection. 2016.

    “Bricks.  Mural. Georgetown, DE.  Private Collection. 2016.

    “The Flight.  Mural. Georgetown, DE.  Private Collection. 2016.

    “Notre Damis.” Drawing. Brunetti Private Collection. Milan, Italy. 2016.

    “The Dress. In Style Boutique. Milan, Italy. 2016.

    “Foot In the Mouth. Illilten, Algeria. Kabyle Collection. 2016

    “Foot In the Mouth2. Brooklyn, New York. Kabyle Collection. 2016.

    “What is Pollution.  London, England. 2016.

    “What is Pollution1.  London, England. 2016.

    “What is Pollution2.  London, England. 2016.
    “Survive Det/NYC, New York. USA.  2016

    “Delaware State University. Delaware State University. 2016.

    “Delaware State University1. Delaware State University. 2016.

    “Delaware State University2. Delaware State University. 2016.

    “Delaware State University3. Delaware State University. 2016.

    “Angels. Delaware State University.  2016.

    “Angels1. Delaware State University.  2016.

    “Rose.  Maria Private Collection. Rome, Italy. 2016.

    “Ode to the Eagle.  Mural. Georgetown, DE. 2016.

    “Images in the Wood, 2016.  Erwin Silbernagl Private Collection. Italy.

    “R(-L)2 = e(H)^2, 2016. Erwin Silbernagl Private Collection. Italy.

    “Crusadi (feminist theory unfinished), 2016. Erwin Silbernagl Private Collection. Italy.

    “Just the Pieces, 2016. Erwin Silbernagl Private Collection. Italy.

    “If Only is the Pope. Pope Francis Collection. Rome, Italy.  2016.

    Property Collateral in Bonds

    Property Collateral in Bonds

    Property Collateral in Bonds

     

    “Made in Maryland$04/1/2019book 27

    “Made in New York (Zebra)$04/1/2019book 3

    “E0 book 209 (titles)book 34

    “Ohio’s Angels$04/19/2019

    “Fishes BG$04/19/2019A

    “Stroll to the CityMIA$04/19/2019

    “The Swimmer AngelMD5D$04/19/2019

    “The Right HandDE$04/19/2019

    “The Tongue G=T$04/19/2019

    “Theory of Evolution 9prerequisite$04/19/2019

    “Sheet Layers (red)FE 11.61-6 PD incl.  2019.


    book 19

    Power. Private mural. Sunny Isles, Fl. 2019.


    In yield: book 47

    book 12



    until its done

    Group Shows

    Property Collateral in Bonds

    Property Collateral in Bonds

     

    Group Shows

    “Fundraiser Delaware State University, Dover, DE, USA, 2016.
    “Let it be. The Living Gallery, Broadway. Brooklyn New York, 2016.

    “, Castello di Monteruzzo, Castiglione Olona VA, Italy, 2016.
    Castello di Monteruzzo, Castiglione Olona VA, Italy, 2016.
    —Authenticism״A0658D54-A6A7-417F-AC01-95687035A122

    “Woman. Mad Gallery, Milano MI, Italy, 2016.
    Art Fusion Gallery, Miami, FL, February 2016.
    Ocean City Art League-Gallery, Ocean City, MD, 2014, 2015.
    Art Institute of Pittsburgh Art fair. Washington D.C. 2015.

    “Arts and Crabs, Fenwick Island, USA 2014.

    Ocean Pines Golf Club, Ocean Pines, MD 2013.
    Delaware State Art Center/Gallery, Dover, DE 2013, 2012.

    Delaware State Art Competition. Wilmington DE 2013.

    Berlin Art Gallery, Main Street Berlin, MD, February 2013.
    Berlin Art Gallery, Main Street Berlin, MD, January 2013.

    Miami Home Expo, Coral Gables, FL, USA, 2010.

    Private/Solo Shows

    “Iodine. Private Residence. Miami, Fl. USA, 2019.

    Private Residence, Great Eastern St., London, 2017.
    “My Dress for what it’s worth” In Style, Sesto Calende VA, Italy.  2016- 2017.

    “Colombo. Private Residence. Ocean City, Maryland. 2016.

    “Inert Principle P, Castello di Monteruzzo, Castiglione Olona VA, Italy, 2016.

    EC8DE7A6-61F4-4F18-8405-ED8AFF817834

    Private Residence, Georgetown De, USA, 2016.
    Private Residence, Chicago, Il, USA, 2016.
    Ocean City Brewing Company, Ocean City, MD, USA, 2016.
    Fine Art & Design Gallery, Selbyville, DE, 2013-2015.

    “Get ready for Easter. Bethany Beach DE, 2014-15.

    Fine Art Gallery

    Original Drawings Gallery

    Graphic Gallery

    Auctions

    Mural History

    “Prints only

    בCopyright Stefany

    Network basis to E, Art in Sister; book 1 under stocks between Art exchanges.  Stefany Fisher

    Book 1 [in Sister]

    "At $4000 the context in the agreement commences as the commercial of 1; 10% is left in the primary

    Deliverance to "wastes:  For the Economic trading was precise (of my Lungן (and rising (at 2/8ths the benefactor); the long term market is a direct dividend your industry can deduct from artificial categories such as in health care; and for the long term market placement value in x, (which is the principle net weight in p of value distribution) in your primary market.


     

    Bonds 

    Integrity.  A primary agreement between the issuer and the extent of amount of work that goes into a Piece. 


    The issuer is the continuous amount of equity left over from the time share.


    Interest

    Person to person.  By what “floating” income (deficit) remains unequal to the amount of plagiarism before the equity fruition’s. 


    Meaning in collateral, your net base price is the return on that issuance of a bond. 


    Net weight

    The network’s proportion to accomplish that amount of work before the time limit (increase) dissolves into 1 instrument per Piece. 


    Floating

    Ranges between equity to that amount of the issuer. Congruences in time shared. 


    Equity

    The network’s base price to any instrument constructed by congruence. 


    Principle

    The network’s integration in the Works collateral.  The network’s ability to construct an instrument after integration of that Piece has formed. Liability. 


    Collateral

    The time’s continuous efforts used to create income. The backing to the whole construction. 

    In integration, time dissolved is the instrument used to build from that share holding. The network.  Integration is the Visual Artwork itself. 


    Shareholding is ¾ it’s whole construction. Which is then 40% a whole commercial construction under 60% in gallery production. 


    The time shared is the equity’s base weight to principle. What is left over is equal to the collateral that entails fruition. Once fruition is added to (the accumulated value) the even exchange then becomes time’s degree - the point to which maximum volume dissolves as proportion to the total net weight. Times degree to production.


    After a project increases, it then decreases into sales revenue that allows more room for company expansion. To Equilateral Provision: 


    Equailateral Provision 

    The time’s adjustment rate to ratio. In equity, the equal proportion is the plateau which maximizes as volume capitalizes from the plateau and in turn becomes the deficit to any previous Artwork. The sales is the provisional basis to decrease as research becomes the basis to collateral. 


    In equity, the time share splits as the Provisional basis upon return in every deficit before equal to 1; or ¼ its assets, where turn around can be left over weight to increase productivity.  


    The instrument used will then be the dissolvent to any equal working rhythm, or sales proportion.  To use the instrument, it must agree with the Parcel - in equity basis upon control.  Meaning only time will give the correct percentage rates to equalize in duty based distribution; which are the assets to collateral. 


    The demonstration as follows:

    In home sales is a network of 1. 60%/40% 


    In equal distribution of sales is the time agreement per usage of each Piece. Then maximizes as the time held is the total turn around at any given interval in cause to affect the given rate. Which is 25%. 


    The buyer then goes to the seller in direct proportion in order to integrate that into the networks whole expansion. (Direct deposit). 


    Given the deficit is the turn around, the base control equals the amount of net weight per sales of each held Instrument to conclude the amount of time per interval in each Work. The net rate to proportion is the continuance at each interval that adjusts or readjusts as initial posts. Therefore the time to equity ratio is flat rate to its turn over given the medium (its plateau) under any given instrument evolving collateral. The network’s consolidation - where liquidity is found is the bonds turnover to extracurricular Pieces. Set Forth the demonstration of a return:


    In instance: Withhold market weight. ex: 2x2x2x2 = holding as the time integration evolves the movement of each basis collateral is the sales in distribution to net weight volume per interval (conjunction). In Conjunction, with another is then the deficit, where withholding markets can either integrate or return the art to the given buyer/seller depending on the integration per each movement that maximizes in liquidations (16.09%). Meaning the return on the deficit is going to be higher than the initial conjunctive costs. The network (withstanding) hold the art’s value; is then ready for sales per interval to even distribution of duty. A whole network of evolvement. 


    Conjunctive Pieces. Are set fixed rates (ex: [Dancer]) at set integral costs of production. Meaning that 40% is going into someone’s pocket and the turn around will then be delivered to the bank for re-bond. Which has a time limit. In duty free proportions of sales. The costs per interval is then refunded at set rates to incorporate the time to time management degrees upon interval, which is your set rate to ratio. The interval proceeds with or without conjunction but is set as 1 while the selling price.  To the instrument then itself is the network basis through collateral that holds the congruency to hold fixed rates as equal proportion. The timed degree is the interval’s network’s “run for the money.”  Meaning in any interval the apparent time standing is the amount of fruition Cause to affect the interval. Which only goes up. 


    Euro 1,65 (99-100) (rainbow wave, etc etc)

    Leva 1,15 (fishes; [Amstradamne] -type basics) 1-4 in5 

    Shekel 1.10 (Angels -net charge)

    Cents 4 (rt4) no return on it -

    Why.  Because basis to production, the backing, is already set at $250,000. Or 3% it’s total in class parte. (The name is the selling price). 


    Thus Equilateral Provision (net cost - net weight is sum for insurance purposes).


    Free

    Set costs to timely rates over productions. (My Will).  As time grows interests to selling rates, the collateral then is returned to the given buyer in partner with the value in hand. That set fixed rate then becomes partner to equal movement of simplicity to which the seller portrays in given instance as the 3rd amount of interval per decrease to another party’s deficit. Meaning withholding the container Piece is the fruition to deliver back at 30% (3/3) its timed rate to production, conjunction, and in grade - degree. 


    Which by Prefix is the holding volume to rate under Constitutional Provisions upon readjustments. 


    Containers 

    The parties 3 degree basis to partnerships around the world. At any time a 3rd party influences another’s, the parties set interval to collateral returns the volume at 5.5 managemental consents. Meaning the Piece is being displayed and accumulating interest every second of every day it evolves by its specific percentage (5.5%).


    Maximum containers evolve at 7%. Withholding time points per stats.  


    Every turn around rolls over into the next interval. 


    Deficit

    Is the amount of my time already put into the trade as rolling rates go out and intervals change according to perspective (your Artwork’s location).  That exchange rate is the collateral’s basis to evolve income after the basis price has been received. 


    50%:50%

    In instrument, the time uses the deficit to portray the amount of interest at each interval. Meaning you can pull back and let it grow or integrate your shares into more collateral based prices. These prices include but are not limited to the deficit by standing ratios, the integrations upon the return price’s collateral. Each piece holds a time share. By buying out the other’s network, the by-standing operation is the Collection amount per basis development to increase. It’s network’s integration. Making each Piece a whole cost to production to be included in the collateral’s work price (shares). 


    Time to net ratios

    The amount of records (assets) to each timed intervals Collection. It can be used as a basis to C (net weight). 


    The backing

    Integration of these networks to time management systems. How rollovers conjoin with measurements per interval. 


    Liquidation 

    Refers to the company’s market after November 2016.  The remaining shares withhold international interests. 


    Withholding collateral 

    Is the bank’s reference to $300. Its closing costs. (2015). Company’s fiscal. 


    Networks 

    The need for integration by use of web lines.

    Learn More

     

    Préfix: Form B. +ID form In 6 Point Perspective. 

    Economic Concentration systems in both trading and property management (of the lung).  In property exponentials according to physics; and in relativity, as adjustment rates to 3rd Parties:


    Perspective 1. 1 instinct vanishing point. 

    Perspective 1. 1 instinct vanishing point.
    Perspective 2. 1.r1 1.41
    Perspective 3. 1.73
    Perspective 4. 2
    Perspective 5. 2.zr 2.24
    Perspective 6. 2.45
     

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