"It’s so good it’s scary” In Venus. – Private Collector, Varese, Italy. 2018.
The artistic creation is a huge compromise between the contingent experience and the heritage of the great Master of the past. It is in that exact point that we can place the work of the young Stefany Fisher. This rapid sketch is clearly related with the most academic drawing tradition, but at the same time with a more contemporary appro
The artistic creation is a huge compromise between the contingent experience and the heritage of the great Master of the past. It is in that exact point that we can place the work of the young Stefany Fisher. This rapid sketch is clearly related with the most academic drawing tradition, but at the same time with a more contemporary approach of showing the artist’s feelings and restlessness. More focused on the instant communication with the viewer (visible in the eloquent gaze of the young lady) the sketch puts aside any investigation of the right technique and the correct visage proportion, in order to make the main outcome of the artist stand out: the representation of what is hidden behind our daily and sometimes frustrating life. In fact the woman sketched, like probably Stefany Fisher herself, wants to create a “bridge” with the spectator to be understood from him, but has she been able to do that? Has she been able to raise an emphatic contact with the viewer? Each of us will surely give a different answer. We know Stefany feels very close to her Italian roots: that is evident not only looking at the Leonardo da Vinci’s influences of that drawing, but also looking at more later ones, directly from the Nineteenth century.
DONNA 20x30cm sketch on paper
-Mad Gallery Milano
Welcome to Art Engineering in Art Craft and Circular 1 of Ground (proportion extractions of U). This website contains the basic information that is under construction of the E0, it’s Artists and Craftsmanship, and in Articulation, the basic Agriculture of the HumanHand. This website is in servals of those who want to « See » Our Vision t
Welcome to Art Engineering in Art Craft and Circular 1 of Ground (proportion extractions of U). This website contains the basic information that is under construction of the E0, it’s Artists and Craftsmanship, and in Articulation, the basic Agriculture of the HumanHand. This website is in servals of those who want to « See » Our Vision towards the Sciences and Arts and in Engineering; and for in claimant of the passerby, a special thanks for stopping by.
The Egyptian, painted in Algeria, 2016. Last remaining of set of lost arts.
Thou shall not bear false witness: 2020-21.
Adam and Eve: 2020. (7/10ths).
In Z: Thou shall not put False idols before me. (symbolic of the $1 bill).
Thou shall not steal: 2020-2022
Price upon Application.
45x61cm
Oil on canvas (basic layer acrylic, always) and backside
2004 and revised
2016 Miami
Price upon Application.
oil on canvas,
35,5x27,5cm
Jan 2017,
Italy/Rome
Price upon Application.
35,5x27,5cm
Oil on canvas (basic layer acrylic, always) and backside
Dec 2016
NYC
Price upon Application.
60x45cm
oil on canvas
2016 Rome
Price on Application.
- detail -
49x38cm
2016
Miami/Rome
Oil on canvas (basic layer acrylic, always) and backside.
Price on Application.
- detail -
2011 Miami
50x50cm
Oil on canvas (basic layer acrylic, always) and backside
Price on Application.
- detail -
for research purposes in Malfunction F, Subcology
16x20 in
Oil on canvas
2016 NYC DEC
Price upon Application.
2013 Delaware
Oil on canvas (basic layer acrylic, always)
9x12 in
Subject of the ballet.
Price upon Application.
2013 Delaware, 2016 - 2017 London / Rome
Oil on canvas (basic layer acrylic, always)
Canvas very fragile.
What is a flower, a walnut, a bee, and two cockroaches #aerodynamics of the human design. #theory E0
52.5”x51.25”.
Oil on canvas
September 20, 2024
The placenta in ID form. 30”x26”. Oil on canvas. September 13, 2024.
On the long road of dreams, had to stop for ice cream.
Lady in red. 2020.
Turmoil (the cross), 2016.
Interest rates are only as interesting if you are invested in one.
Time shared is as equal to wastes only if you get left out!
Ensure your company and composites are as equivocal to your time as is to your market place!
Find an equilibrium. Request a consultation.
The first collateral piece, Made in Maryland, was the first transference of art made by this Deed of Conveyance that allowed for the time and investment needed to write the composition of the ballet. A special thanks for Maryland for their support. Their investment started at $1,160. This investment has grown (and is under collateral) 8.13% in 7 months. Where will your investment take the arts, and where will you let the arts take you?
Begun in the first state and stretched out and into 5 continents. The book number's value exchange fall under Book 12, (the exchange rate), to anything left over becoming an Art stock's exchange rate for Subcology. Get involved:
Deliverance to "wastes: For the Economic trading was precise (of my Lungן (and rising (at 2/8ths the benefactor); the long term market is a direct dividend your industry can deduct from artificial categories such as in health care; and for the long term market placement value in x, (which is the principle net weight in p of value distribution) in your primary market.
Bonds
Integrity. A primary agreement between the issuer and the extent of amount of work that goes into a Piece.
The issuer is the continuous amount of equity left over from the time share.
Interest
Person to person. By what “floating” income (deficit) remains unequal to the amount of plagiarism before the equity fruition’s.
Meaning in collateral, your net base price is the return on that issuance of a bond.
Net weight
The network’s proportion to accomplish that amount of work before the time limit (increase) dissolves into 1 instrument per Piece.
Floating
Ranges between equity to that amount of the issuer. Congruences in time shared.
Equity
The network’s base price to any instrument constructed by congruence.
Principle
The network’s integration in the Works collateral. The network’s ability to construct an instrument after integration of that Piece has formed. Liability.
Collateral
The time’s continuous efforts used to create income. The backing to the whole construction.
In integration, time dissolved is the instrument used to build from that share holding. The network. Integration is the Visual Artwork itself.
Shareholding is ¾ it’s whole construction. Which is then 40% a whole commercial construction under 60% in gallery production.
The time shared is the equity’s base weight to principle. What is left over is equal to the collateral that entails fruition. Once fruition is added to (the accumulated value) the even exchange then becomes time’s degree - the point to which maximum volume dissolves as proportion to the total net weight. Times degree to production.
After a project increases, it then decreases into sales revenue that allows more room for company expansion. To Equilateral Provision:
Equailateral Provision
The time’s adjustment rate to ratio. In equity, the equal proportion is the plateau which maximizes as volume capitalizes from the plateau and in turn becomes the deficit to any previous Artwork. The sales is the provisional basis to decrease as research becomes the basis to collateral.
In equity, the time share splits as the Provisional basis upon return in every deficit before equal to 1; or ¼ its assets, where turn around can be left over weight to increase productivity.
The instrument used will then be the dissolvent to any equal working rhythm, or sales proportion. To use the instrument, it must agree with the Parcel - in equity basis upon control. Meaning only time will give the correct percentage rates to equalize in duty based distribution; which are the assets to collateral.
The demonstration as follows:
In home sales is a network of 1. 60%/40%
In equal distribution of sales is the time agreement per usage of each Piece. Then maximizes as the time held is the total turn around at any given interval in cause to affect the given rate. Which is 25%.
The buyer then goes to the seller in direct proportion in order to integrate that into the networks whole expansion. (Direct deposit).
Given the deficit is the turn around, the base control equals the amount of net weight per sales of each held Instrument to conclude the amount of time per interval in each Work. The net rate to proportion is the continuance at each interval that adjusts or readjusts as initial posts. Therefore the time to equity ratio is flat rate to its turn over given the medium (its plateau) under any given instrument evolving collateral. The network’s consolidation - where liquidity is found is the bonds turnover to extracurricular Pieces. Set Forth the demonstration of a return:
In instance: Withhold market weight. ex: 2x2x2x2 = holding as the time integration evolves the movement of each basis collateral is the sales in distribution to net weight volume per interval (conjunction). In Conjunction, with another is then the deficit, where withholding markets can either integrate or return the art to the given buyer/seller depending on the integration per each movement that maximizes in liquidations (16.09%). Meaning the return on the deficit is going to be higher than the initial conjunctive costs. The network (withstanding) hold the art’s value; is then ready for sales per interval to even distribution of duty. A whole network of evolvement.
Conjunctive Pieces. Are set fixed rates (ex: [Dancer]) at set integral costs of production. Meaning that 40% is going into someone’s pocket and the turn around will then be delivered to the bank for re-bond. Which has a time limit. In duty free proportions of sales. The costs per interval is then refunded at set rates to incorporate the time to time management degrees upon interval, which is your set rate to ratio. The interval proceeds with or without conjunction but is set as 1 while the selling price. To the instrument then itself is the network basis through collateral that holds the congruency to hold fixed rates as equal proportion. The timed degree is the interval’s network’s “run for the money.” Meaning in any interval the apparent time standing is the amount of fruition Cause to affect the interval. Which only goes up.
Euro 1,65 (99-100) (rainbow wave, etc etc)
Leva 1,15 (fishes; [Amstradamne] -type basics) 1-4 in5
Shekel 1.10 (Angels -net charge)
Cents 4 (rt4) no return on it -
Why. Because basis to production, the backing, is already set at $250,000. Or 3% it’s total in class parte. (The name is the selling price).
Thus Equilateral Provision (net cost - net weight is sum for insurance purposes).
Free
Set costs to timely rates over productions. (My Will). As time grows interests to selling rates, the collateral then is returned to the given buyer in partner with the value in hand. That set fixed rate then becomes partner to equal movement of simplicity to which the seller portrays in given instance as the 3rd amount of interval per decrease to another party’s deficit. Meaning withholding the container Piece is the fruition to deliver back at 30% (3/3) its timed rate to production, conjunction, and in grade - degree.
Which by Prefix is the holding volume to rate under Constitutional Provisions upon readjustments.
Containers
The parties 3 degree basis to partnerships around the world. At any time a 3rd party influences another’s, the parties set interval to collateral returns the volume at 5.5 managemental consents. Meaning the Piece is being displayed and accumulating interest every second of every day it evolves by its specific percentage (5.5%).
Maximum containers evolve at 7%. Withholding time points per stats.
Every turn around rolls over into the next interval.
Deficit
Is the amount of my time already put into the trade as rolling rates go out and intervals change according to perspective (your Artwork’s location). That exchange rate is the collateral’s basis to evolve income after the basis price has been received.
50%:50%
In instrument, the time uses the deficit to portray the amount of interest at each interval. Meaning you can pull back and let it grow or integrate your shares into more collateral based prices. These prices include but are not limited to the deficit by standing ratios, the integrations upon the return price’s collateral. Each piece holds a time share. By buying out the other’s network, the by-standing operation is the Collection amount per basis development to increase. It’s network’s integration. Making each Piece a whole cost to production to be included in the collateral’s work price (shares).
Time to net ratios
The amount of records (assets) to each timed intervals Collection. It can be used as a basis to C (net weight).
The backing
Integration of these networks to time management systems. How rollovers conjoin with measurements per interval.
Liquidation
Refers to the company’s market after November 2016. The remaining shares withhold international interests.
Withholding collateral
Is the bank’s reference to $300. Its closing costs. (2015). Company’s fiscal.
Networks
The need for integration by use of web lines.
Préfix: Form B. +ID form In 6 Point Perspective.
Economic Concentration systems in both trading and property management (of the lung). In property exponentials according to physics; and in relativity, as adjustment rates to 3rd Parties:
Perspective 1. 1 instinct vanishing point.
Perspective 1. 1 instinct vanishing point.
Perspective 2. 1.r1 1.41
Perspective 3. 1.73
Perspective 4. 2
Perspective 5. 2.zr 2.24
Perspective 6. 2.45
#sheets
Copyright © 2024 Stefany Fisher - All Rights Reserved.
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